It’s the best of times for books in Dallas, agreed panelists
at the recent reunion for the Dallas Noir
anthology. And the worst of times. But then, it always is.
Dallas Noir is the brain child of local literary agent David Hale
Smith, published appropriately shortly before Halloween in 2013 as part of
Akashic Books’ series of noir anthologies based on cities around the world.
Smith solicited short stories from 16 North Texas authors from a variety of
literary backgrounds. Some of them were people whose names have appeared in
this blog before: Ben Fountain, Daniel J. Hale, Clay Reynolds, Kathleen Kent, David
Haynes, Harry Hunsicker, Suzanne Frank and more.
And then there was Smith’s former English teacher from
Episcopal School of Dallas, Fran Hillyer. (I wonder: did Smith dare correct his
former teacher’s word usage? Her grammar? Amazingly, they remain friends.
Fellow contributor and noir novelist Hunsicker also says he was one of Hillyer’s
students, but she disclaims any remembrance – or perhaps that should be, responsibility – for him.)
Smith wrangled nine of his contributors – Fountain,
Frank, Hale, Hillyer, Hunsicker and Kent, as well as Catherine Cuellar and
Merritt Tierce – back together last Saturday night for a discussion and book
signing at what The Wild Detectives bookstore in the Oak Cliff neighborhood
billed as Oak Cliff Wild Literary Festival #1. (Cuellar is the executive
director of the Dallas Arts District. Tierce’s Dallas Noir contribution was a chapter from what would become her highly-regarded debut novel, Love Me Back.)
So, is there good news or bad news for books, book
lovers and writers of books in Dallas?
The good news includes The Wild Detectives,
the brain child of Spanish engineers and longtime friends Paco Vique and Javier
García del Moral. The pair turned a rundown bungalow on Oak Cliff’s Eighth
Street into a bookstore, cum coffee and wine bar, cum event center last year.
The Wild Detectives is currently Dallas’ only independent bookstore
specializing in current books, and is among those indies nationwide reporting
sales for inclusion in The New York Times
bestseller lists.
“First I’d like to say thank you to The Wild Detectives,”
said Fountain, author of one of those NYT bestsellers, Billy Lynn’s Long Halftime Walk (whose movie version by Ang Lee is
scheduled for release Veterans Day 2016). “Living in Dallas is like living in
the belly of the beast. It’s a hard culture for a writer. . . where people will
pay $60,000 for a car but God forbid we should pay full retail for a book, but
it’s also a very fertile climate for a writer.”
“I want to honor the groups like Wordspace and the
Writer’s Garret that have been fighting the good fight for years,” Cuellar said. It’s such
organization, she said, that make the “organic connections between
naturally-occurring communities” such as the emerging Bishop Arts district in
Oak Cliff near The Wild Detectives' location.
But really, what chance do most writers in Dallas have
of getting the kind of attention, for instance, that Fountain has. Or that
Boudrant has garnered. (Matt Boudrant claims to have caught Hale’s eye for inclusion in Dallas Noir when his novel The
Wettest County in the World became the basis for the movie Lawless.
“You’ve got to write the best possible story,”
Boudrant said. “The literary world is still operating in New York City, but
once you break out, the attention is really out of your hands.”
Hale agreed. “If Charlaine Harris (author of the
Sookie Stackhouse books that inspired the series True Blood) could do what she did from Magnolia, Arkansas, you can
do anything you want in Dallas.”
“You can’t try and follow the market if you’re going
to be authentic,” Fountain said. “Do the genuine thing.”
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