Lord of the
Flies, by William Golding
***
Living without grownups
isn’t turning out to be as much fun as the marooned schoolboys of William
Golding’s Lord of the Flies had first
imagined. After crash landing on an uninhabited tropical island, 12-year-old
Ralph at first turns cartwheels as the “delight of a realized ambition”
overcomes him: the ambition of being free of adult supervision.
But as the weeks pass, and
no ship arrives to rescue the boys, delight turns to horror. Ralph is elected
chief of the boys, but he has a vicious rival in Jack Merridew, who’s more
interested in trying to hunt the island’s wild pigs than in tending a signal
fire. The youngsters are homesick, and often physically ill as well from their
diet of fruit from the island’s trees. Ralph’s best friend Piggy’s glasses have
been broken in a squabble over relighting the neglected signal fire. And then
there’s the strange being the youngest boys believe haunts the island, the
Beast. Because although the older boys, Ralph and Piggy and Jack, deride the
fears of the “littluns,” they secretly fear the island’s dark loneliness. Can
the Beast be the reason things are falling apart in their microcosm of society?
And the boys begin to long
for the return of the grownups.
“‘Grownups know things,’
said Piggy. ‘They ain’t afraid of the dark. They’d meet and have tea and
discuss. Then things ‘ud be all right. . . .’”
“If only (the grownups) could
get a message to us,” Ralph “If only they could send us. . . a sign or
something.”
That same night, while
Ralph and his friends sleep, a sign does come. “There was a sudden bright explosion
and corkscrew trail across the sky; then darkness again and stars,” Golding
writes. “There was a speck above the island, a figure dropping swiftly beneath
a parachute, a figure that hung with dangling limbs.”
This sign, a dead pilot
from an air battle fought high over the island, crashes onto the mountainous
island. His parachute tangles in the trees whose movements in the wind give him
a false semblance of life, a sign of the “beast” the boys try to propitiate
with an offering from their first successful hunt – the head of a pig.
Only shy, epileptic Simon
realizes the true nature of this “beast” – that it is only a pathetic corpse whose
presence belies all their trust in the wisdom and infallibility of “grownups.”
But before he can convey his epiphany to the rest, he encounters the
fly-encrusted head of the dead pig, and meets the true Beast, the Lord of the
Flies.
“‘Fancy thinking the Beast
was something you could hunt and kill!’ said the head. . . . ‘You knew, didn’t
you? I’m part of you? Close, close, close! I’m the reason why it’s no go? Why
things are what they are. . . so don’t try to escape!”
Simon arrives back at the
boys’ camp at night, during a sudden storm. In his absence, Jack has instigated
a blood-based cult to cement his coup over Ralph’s leadership and as the boys
scream “Kill the beast! Cut his throat!
Spill his blood!” Simon stumbles unrecognized into their midst.
“The beast was on its
knees in the center, its arms folded over its face. It was crying out against
the abominable noise something about a body on the hill.” And in the small
post-apocalyptic world of the island, the voice of reason dies, the boys fall
in a spiritual decay as certain as the physical decay of the pilot’s body, and
the Lord of the Flies claims his own.
(Can things possibly get
any worse? Next Friday Adventure classics concludes a September of young
adventures with the final chapter of William Golding’s Lord of the Flies.)
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