Author: Steve Berry
Publisher: Minotaur Books
Source: Purchase, Half Price Books
Grade: B
It all started when a rash young naval officer turned
lawyer tried to help a friend through a nasty divorce. That was before his
survelliance of the friend’s erring wife turned into a shoot-out that landed
him in jail, and in the bad graces of his commanding officer. So how can he say
no when the Justice Department lawyer, Stephanie Nelle, who bails him out asks
only a simple favor in return – retrieval of a rare coin from a wrecked ship?Source: Purchase, Half Price Books
Grade: B
Except when the young officer’s name is Cotton Malone
– the hero of a dozen thrillers from another lawyer named Steve Berry – well,
things are never simple. As Berry proves in his latest thriller, The Bishop’s Pawn, in which Malone no
sooner reaches the shipwreck than he finds himself deep in an investigation of
the assassination of revered civil rights leader Martin Luther King Jr.
Soon Malone is running for his own life, as he tries to learn how the rare coin – the only 1933 gold Double Eagle known to exist outside a museum – is tied to King’s assassination. And how it got into the hands of the beautiful daughter of a member of King’s inner circle. And why, in the book’s 1990-time period, more than 30 years after that 1968 assassination, so many people are willing to kill to recover the secret records behind the killing.
Soon Malone is running for his own life, as he tries to learn how the rare coin – the only 1933 gold Double Eagle known to exist outside a museum – is tied to King’s assassination. And how it got into the hands of the beautiful daughter of a member of King’s inner circle. And why, in the book’s 1990-time period, more than 30 years after that 1968 assassination, so many people are willing to kill to recover the secret records behind the killing.
Berry is adept at building thrillers from historical
conundrums, but The Bishop’s Pawn is
the first that deals with more recent history, history he admitted during a
recent Dallas visit was exceptionally difficult to write because King’s
assassination was an event he still remembers – as do so many others. The
possibility of writing about it has been on his mind for a decade, but he
delayed releasing a book until this year, the 50th anniversary of
King’s fatal shooting in 1968.
As if to underline the topic’s personal importance,
Berry has also made The Bishop’s Pawn
the origin story for his series hero, Cotton Malone, as well as the first novel
ever written solely from Malone’s first-person viewpoint.
In previous books, Berry has used multiple
third-person narratives to tell his stories. And Malone has only been known as
a man already retired from a career in the U.S. Department of Justice. This
time we get a young, brash and often-clueless hero for whom cell phones are
still cutting-edge technology (he, personally, doesn’t use them unless they’re
forced upon him) and the change does a lot to make Malone more personable.
But though the first-person viewpoint gives the reader
a sense of greater intimacy with events, its also underlines one of the
problems attendant on historical fiction – the need for explanations of the
events. Berry’s use of FBI memos and recordings (some real, some ingenious
fictions), are at first fascinating but become pages to be skipped the lengthier they
become. Also tedium-inducing are Berry’s well-meant attempts to assure readers
he understands the groundbreaking nature of King’s achievements even as he
poses justification for his conclusions about who was ultimately responsible
for King’s death.
Unusually for Berry’s stories, the action in The Bishop’s Pawn takes place almost
solely in Florida where Berry resides, and Malone (and readers) get a scenic
tour of the state – from the Dry Tortugas, site of a 19th century
fort turned national park; to the gigantic freshwater Lake Okeechobee; to St.
Augustine, site of one of King’s early civil rights demonstrations; to
Disneyworld; and more. Malone, however, has little time for sightseeing, taking
the tour at a dead run as he variously flees park rangers, a vengeful Cuban
informant, and an array of present and former FBI rogues.
Looming over everything is the tragedy of Martin
Luther King’s death. The role of King’s (fictional) associate, Benjamin Foster has
estranged him from his daughter, now possessor of the fabled Double Eagle coin,
and by turns Malone’s ally and enemy. Will recordings of conversations between Foster
and King destroy both a daughter’s trust in her father and King’s legacy?
Just when I hadn’t thought there could be any more
possible theories about the death and its chillingly oddball perpetrator, James
Earl Ray, Berry serves up a new and shocking solution.
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