Another DFW Writers Conference has come and gone, and
with it, another Gong Show, a retro nod to the long-gone TV talent show whose
performers had to quit the stage when judges signaled their fed-upness by
striking gongs. In the writers’ conference version, contestants submit anonymous
sample query letters. A panel of literary agents hits gongs to signal when they
would stop reading the query if it turned up in their email inboxes. Three
gongs, and a contestant is out, left to learn from the experience with the rest
of us before sending actual queries. It’s one of the best attended events of
the conference.
Except for perhaps two or three science fiction
presses, most publishers refuse even to consider accepting a book length
manuscript from a writer who is not represented by a literary agent,
transforming agents willy-nilly into the dragons guarding the gates to
traditional publication.
And so, let me introduce this year’s Gong Show dragons
by species, name and agency: the Long-Maned Allison Devereux of Wolf Literary
Services, Crimson-Crested Dawn Frederick of Red Sofa Literary, Tawny-Leonine
Michelle Johnson of Inklings Literary Agency, Palomino-Maned Alice Speilburg of
Speilburg Literary Agency, the Yellow-Crested Uwe Stender of Triada US Literary
Agency, and the Far-Northern Carly Watters of the P.S. Literary Agency.
Do agents have some sort of pre-conference get
together each year to decide what their pet peeves will be? Because the one
that occurred over and over this year was “too long,” and its variants: “sounds
interesting, but it goes on and on and on”; “you have to know when to pull the
joke”; “we were just revisiting the same hook”; and perhaps most horribly, but
said more than once, “I lost my train of thought.”
Agency websites usually list guidelines for query
letters, and there are also plenty of websites with more general suggestions,
such as limiting the query itself to a single page, including a “hook” or
“logline”; title, genre and word count; and a 2-3 sentence long synopsis. A
brief mention of the writer’s credentials and his/her reason for sending a
letter to this particular agent (“enjoyed meeting you at the DFW Writers
Conference” or “I’m a fan of such and such a client of yours”) are also
typically included.
But writers of the 22 queries chosen for reading
obviously saw the Gong Show as their only chance to get their novels on stage. Agents
repeatedly had to say, “keep it simple,” in response to queries that
over-anxious writers had turned into almost blow-by-blow synopses of their
novels.
That said, the use of clichés were among the issues
that have appeared in previous Gong Shows. This year a poison pill was “magic
necklace” whose mention in a query immediately elicited a gong; when the writer
added that the protagonist received it from her grandmother in a dream, the
gongs went wild. And agents still felt that vampires and other
supernatural/paranormal beings were clogging the publishing pipeline.
A problem I don’t recall hearing before regarded
inappropriateness for genre or age of readership. One manuscript described by
the author as having a 12-year-old protagonist used several explicitly sexual
terms and was gonged out, as was a query that “sounds like women’s fiction but
turns out to be an urban fantasy.”
Another was a manuscript of the wrong length. Confronted
with 134,000 words, the unanimous decision was, too long. Agents wanted to see
something closer to 100,000 words (although one agent was willing to consider
120,000.) There was also a 55,000 word manuscript deemed too short for an adult
novel.
And finally, what you’re dying to know: did any
queries survive the gongs? Yes, actually, there were two. One was for a mythic
card game (although it received one gone from an agent who thought, again, “too
long”. The second was for a YA science fiction novel, which, less
illustriously, simply “had nothing glaring about it.” (Or maybe the agents were
just tired by then.)
***
I’ll post more next Tuesday about the 2015 conference,
but in the meantime, consider the 2016 version in Fort Worth, April 23-24.
Tickets are available at the super early bird rate of $190 through August 18
(or until sold out), at www.dfwcon2016.eventbrite.com.
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