Showing posts with label Moonlight Mesa Associates. Show all posts
Showing posts with label Moonlight Mesa Associates. Show all posts

Tuesday, May 29, 2018

Across the wide Rio Grande: the classic Western smashup

Whether it’s the Rubicon, the Jordan or the Rio Grande, the finality of crossing a river inevitably engenders drama. If good fences make good neighbors, a big, bad river can make really bad ones, as the tumultuous relationship between Texas and Mexico attests. I occasionally post one of my previously-published short stories on this blog, and I’m returning today with one of my earliest. This Civil War-era Western, “No Place to Run,” was a finalist in Moonlight Mesa’s 2011 “Cowboy Up” contest, published at The Western Online December 1, 2011, and reprised in November 2015 at Frontier Tales.

 NO PLACE TO RUN
Fredericksburg, Texas, September 1862 
It took until dark for Peter Schoenfeld to push the runaway heifers out of the river bottom and back to the home place. The severed ears of the longhorn bull his grandfather called the old Mexican, the bull who had lured the heifers from their corral, swung from his saddle horn, knotted with a thong cut from the bull’s own hide.
Tomorrow he and his grandfather would take a yoke of oxen into the bottoms to haul out the renegade longhorn’s carcass. Tomorrow they’d eat beef. Tonight, he looked forward to the frying pan of squirrel his grandfather had promised for supper.
But the house was dark and there was no smell of cooking as he penned the heifers and replaced the top pole of the corral they’d escaped from. He unsaddled his riding mule, Schatzie, and turned her loose. Instead of meandering into the pasture, she followed him, nipping at his shirt as if begging for turnips. Her long ears, darker than the starlit skyline, pricked toward the house.
There was no welcoming hail from the dogtrot house where he and his grandfather lived in isolation from their neighbors. Neighbors whose eyes followed them when they drove to church on Sunday, muttering against the young man who stayed safe in Texas when their sons were dying at Shiloh or languishing in Yankee prison camps. Neighbors who turned away without greeting since this month’s news about bloody Antietam. Old Schoenfeld had begun to speak of joining the other German settlers who fled to Mexico to escape the wrath of Confederates against Union sympathizers.
The night was moonless. As Peter Schoenfeld climbed the porch, his boot toe struck an obstacle where no obstacle should be. Something solid but yielding. The strangeness made the stubble of his young beard prickle.
He dropped to one knee to examine the thing, running his hands over it in the dark. It was the body of a large dog, his grandfather’s bull terrier. He started to call out in alarm but found his mouth suddenly too dry to form words. He was close enough now to make out the gleam of broken teeth where someone had pried the dog’s jaws open.
And close enough to make out a figure slumped in the doorway behind the dog. The body of a man, his homespun shirt gummed to his chest and side with deeper darkness.  Young Schoenfeld didn’t need the smell that stung his nostrils to know the darkness was blood.
He bent over his grandfather’s body, running his hands gently over the dead face, over the coarseness of an old man’s beard, over the dribble of tobacco and more blood from the mouth. The eyes—he closed them, pressing his fingertips against the stiffened lids to hold them down.  
He didn’t think to swipe at the tears running down his face.
image: wikimedia commons
His grandfather’s hair no longer waved back from his temples in thick white wings. The top of the old man’s head was a scalped stickiness that made bile rise in his grandson’s throat. But there had been no scalping Comanches here in the Texas hill country since old Schoenfeld and the rest of Jack Hays’ Rangers pushed them out in ’44, before Peter was born. When his father, dead of the yellow jack last year, was still the one called young Schoenfeld. 
The men who killed old Schoenfeld scalped him to hide their own identities. But he could guess who they were. And that they would return for him.
At a singing bray from the mule Schatzie, he looked back to the yard. Her ears swiveled toward the road. 

By the time he reached Mexico, swinging southwest to cross the Rio Grande, he had evaded Confederate conscription agents, a band of comancheros—the mestizo outcasts who traded with Comanches—and the ragtag forces of Mexican president Benito Juarez retreating before the army of invading emperor Maximilian.

He dropped the mule’s reins, letting her pick a way through the thickets of mesquite and creosote. The scrub-covered dunes were packed snug as honeycomb cells in a hive. When he had looked over the countryside from the mountains beyond the river, the dunes covered it like herds of gray-green beasts.
The dunes rose head high in this country he had entered. The country in which, except for carrion birds wheeling overhead, he and the mule seemed to be the only breathing creatures.
As the sun neared the zenith he halted. The air was hot during the day even this late in the year. He dismounted and unsaddled Schatzie before nicking a vein in her neck.  She stood exhausted, not heeding the tiny wound. He put his mouth to it and sucked. But he had drawn barely enough to wet his tongue before the flow clotted and ceased.
A fly appeared as if out of thin air and fastened itself on the last drop of oozing moisture.
Schoenfeld lay down in the shade of the dune, his hat over his eyes, and slept until a faint breath of coolness roused him. The mule was nowhere in sight. He lay back again, eyes closed, sensing the ebbing daylight. When it was full dark he would rise, hoping for a star to guide him through the cool of the night. But where it would lead him, he couldn’t guess.
He woke to the sensation of being watched but could see no one in the darkness.  The night air was cold on his face and he reached drowsily for his blanket, only to find something heavy encumbering his arms and shoulders. A fleece, he thought, from the smell of wool fat on it. As he raised a hand to touch the fleece, wonderingly, he became aware of a darker shape beside him.
He gripped the butt of his revolver. His empty revolver.

Tuesday, February 27, 2018

Is there room for Western fiction in the New West?


As I’ve done a couple of times in the past year, I’m republishing some of my older short stories (which have already appeared in multiple paying publications) at this site. But while cross-genre Westerns ride strong in the saddle in contemporary settings such as romance and mystery, is there a place for a contemporary Western that’s just a straight-forward Western? An urban Western, perhaps? Today’s post, “Eight Seconds,” was a finalist in Western publisher Moonlight Mesa’s 2010 Cowboy Up contest and published in MMA’s March 2011 print volume, Award-Winning Tales. It was republished again that fall in Pulp Modern (Autumn 2011). Both are still available on Amazon, Moonlight Mesa's at a reasonable price. But the Pulp Modern paperback will set you back a cool $2,904, so why not try this story from the volume for free? It’s chock-full of classic Western elements – cowboys, Native Americans, and rodeos. What’s not to love?
 ***
EIGHT SECONDS

The obituary comes in an envelope with no return address, just a Dallas postmark from a zip code near the Intertribal Center. I think at first it’s a plea for funds—“$20 puts food on the table for hungry Indians”—that kind of thing. I usually give a hundred. A hundred bucks isn’t much to me now and it quiets my conscience a little. I rip it open, feeling inside for a return envelope to put my contribution in, but there’s only the piece of newsprint, and I read, remembering what had happened to Jimmy Kotay.
***
Big Jimmy and Little Jimmy, they called us, but we were the same height and build, Little Jimmy maybe a shade slimmer. He had walked, late, into my class at Vista College.  That was my second try at physiology, and if I failed again, Ma could pack away the dream she had of me being anything but a cowboy or a drunk.
Little Jimmy was way past the five minutes the lecturer Samuels allowed everybody to finish a cigarette, take a leak, and grab a cup of sludge from the pot in the school secretary’s office, before sliding into their desks.
Samuels shoved his glasses to the top of his head to give Little Jimmy the full effect of his pale-eyed stare. “You must be Ghulam Jilani,” he said, looking from the newcomer to the class roll.
“Just Jilani,” Little Jimmy said.
image: pixabay
In his tweeds and tie, Little Jimmy seemed to have wandered into the wrong class. Except for Samuels in his stained lab coat, the rest of us looked like starving students—clothing ripped and faded, hair long and greasy, the men three days from a shave. Little Jimmy told me later he thought we were refugees, and he wondered what disaster had made us flee to a small town in Texas. He sat down by me, maybe because I looked the least unshaven. Not that I was a stickler for grooming—us Kiowas just aren’t much in the beard department.
“Why the hell are you so late?” I whispered.
He pursed his lips reprovingly. “I was deciding which tie to wear. I wanted to make a good impression.”
Except being a clotheshorse wasn’t the only reason for his lateness. Being late was as much a habit for Little Jimmy as being hung over was for me.
Only I didn’t learn that right away. That first day, he looked so neat and prim, his mustache barbered within an inch of its life, I choked on my coffee when he told me his dream. We were sitting over vending machine cups in the student center where he’d followed me. He talked and I tried to ignore him while the TV blared the theme to a rerun of “Bonanza.”
“My mother always wanted me to be a doctor,” he said.
“Yeah. Mine too.” I pulled out papers and a tobacco pouch to roll a smoke. 
“Of course, I won’t be able to break the news to her until I’m famous, but I’d like to do so before she hears about my exploits in the news.”

“Your exploits?” 
“My exploits as a cowboy.” 
“You gotta be kidding. You want to be a cowboy? Like me?” 
“I thought you were an Indian.” 
“I’m a cowboy and an Indian. I can play both parts in the Westerns. But if you got to pick sides, yeah, be a cowboy. At least cowboying earns a few bucks when somebody needs an extra hand.  There’s no pay in being an Indian.”
I tossed my cigarette butt in the last inch of cold coffee. Little Jimmy sat, very straight and quiet in his tweeds.
“You need money?” I asked. “You could try out for the school rodeo team. They give scholarships. That’s the only thing that’s keeping me here.”
“I have a scholarship from my country.” He turned back to “Bonanza.” I could tell he was sore about being laughed at.
“I can teach you, Jilani.”
“Teach me what?”
“To be a cowboy.”
He turned to look at me again and his face lit up like Christmas when he saw I wasn’t stringing him along. He held out his hand. “Call me Jimmy.”
***
I did roping, mostly, on the team, and some bronc riding. A few afternoons of working with Little Jimmy showed me he wouldn’t learn to rope that semester, maybe not that lifetime. But as a beginning bronc rider, he wasn’t bad. He was stronger than you’d think for a skinny kid and he had a natural rhythm for the ride. I tried him out in a few local rodeos. He insisted on using what he called his alias, although I couldn’t for the life of me figure out how his mother would ever hear about it.
“Try not to talk any more than you have to,” I told him. “That accent of yours is bad enough, but if this crowd thinks you’re a Muslim, they’ll go crazy. If anyone talks to you, say ‘no hablo ingles.’
“What if they talk to me in Spanish?”
“There was a cowboy on the circuit once from a town called Iraan.” I said it the right way—Eye-Ruh-Ann. “When he was announced, they nearly booed him out of the arena. Thought he was Iranian.”
“I certainly do not want anyone to think I am Iranian,” Little Jimmy said.
He went by The Karachi Kid. Pakistan wasn’t in the news much back then and nobody knew where Karachi was. The unfamiliar name and his brown skin and me hanging out with him made everyone think he was Indian, too, in spite the hair on his upper lip. With a kidnapped white girl or two in my family tree, even I sported a stringy mustache.

Wednesday, July 27, 2011

Wordcraft -- Texas tales at A Real Bookstore




A Real Bookstore

113 Prairie Rd.

Fairview

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It’s been nearly a year since the closing of North Texas’ largest independent bookstore, Legacy Books in Plano. Since then its successor, A Real Bookstore, has opened in Fairview. The differences between the two are indicative of the economy’s changes.

Legacy’s three-story location in an upscale Plano site has been replaced by a more modest one-story building between Macy’s and J.C. Penney’s in the Village at Fairview. A Real Bookstore’s owner Teri Tanner believes the new location will have more appeal in its neighborhood. And she is determined not to repeat a key mistake of one of her former employers, Borders. A Real Bookstore sells online, at
www.arealbookstore.com/ , keeping more of its sales dollars in North Texas.

The store also offers a home for regional artists and writers, something not always available from a national chain. That’s why I was there last Saturday -- to get a signed copy of Texas Tales Illustrated, written by award-winning Western writer Mike Kearby and illustrated by Mack White of Austin. The first volume of Tales is the opener for a series of Texas history volumes in graphic novel form. Written to follow the state’s seventh-grade history curriculum, the book features true stories of young Texans of the 1830’s.

I also got Kearby’s newest book of fiction, A Hundred Miles to Water, for which he received the Will Rogers Medallion Award for Best Adult Fiction at the Fort Worth stockyards Sunday. The book is based on the pioneer ranching family of James Olive, whose members lived violently and often died the same way. And on the exploits of African-American cowboy and gunslinger Jim Kelly. “To most along the trail,” Kearby writes, “(Kelly) was known as the Ebony Gun.”

A Hundred Miles to Water is published by Goldminds Publishing LLC. The publishing house plans to take its line to national distributors, according to regional sales manager Kelly Netherton, who accompanied Kearby and Mack at the signing.

Independent sellers such as A Real Bookstore, Ms. Netherton said, are key components of Goldminds’ plan to sell Western novels in hardback, a genre larger publishers issue only in paperback. But as the publisher expands, it, like A Real Bookstore, is taking a long view, emphasizing quality over quantity and building its own online business at www.goldmindspub.com/ Goldminds accepts submissions from authors, but authors should check its site for guidelines.


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While we’re talking Westerns, I’ll also mention the annual short story contest from Moonlight Mesa Associates. The deadline is September 1. This year the stories must feature elements of suspense, mystery or thrillers. There is a fee for submissions, but I won some money last year, so I’ll try again for 2011. See www.moonlightmesaassociates.com for details.