Adventure classics – Detectives too good for their own good

The Dogs of Riga

by Henning Mankell

***

The only thing that could make the police force in the small Swedish town of Ystad happier than solving a politically-awkward double murder is getting the case transferred out of its jurisdiction. In the case of Henning Mankell’s 1992 mystery classic, The Dogs of Riga, that jurisdiction is across the Baltic Sea in the capital city of Latvia, a country newly emerged from the ruins of the fallen Soviet Union. Somewhat to the surprise of Ystad police inspector Kurt Wallander, during the investigation he’s taken a liking to short, nearsighted Major Liepa, the Latvian counterpart who has solved part of the mystery – the identity of the two dead men who washed up on Ystad’s coastline on a rubber life raft.

On Friday, Wallander sees Liepa off on his flight back to Riga with a farewell gift of an illustrated book on Ystad’s county. Not much, but the best he can think of. “I’d like to hear how things turn out,” he tells the major.

Back in his office Monday morning, his chief advises him Ystad has received a telex from the Riga police. Wow, he knew Liepa was a good detective, but news already? “What’s he got to say?” Wallander asks. The answer: “I’m afraid Major Liepa is not able to write anything at all. . . He has been murdered.”

Wallander can hardly refuse to fly to Latvia in response to the Riga police department’s request for help, but once there, he notices two things very surprising to him: how extremely cold it is in Riga, and how lovely Baiba Liepa, the dead Major Liepa’s widow, is.  Oh, and a third thing: how much the influence of decades as a Soviet vassal state still lingers in Latvia.

What he learns from the local police is that after Liepa finished his official report late on the day of his arrival in Riga, he went home. Late that night, he received a phone call and left the house, telling his wife only that he had to go straight to police headquarters. The next morning, dock workers found his body, the skull smashed in.

“It’s very rare for a police officer to be killed in this country,” police tell Wallander. “Least of all one of Major Liepa’s rank. Naturally, we’re very keen for the murderer to be found as soon as possible.”

Wallander, however, soon has reason to believe the official version of Liepa’s death is less than completely ingenuous, and to suspect that Liepa’s own detective skills had led him too close to a deadly secret. Soon both Wallander and the major’s widow are involved in a deadly cat and mouse game between drug smugglers such as the now-identified dead men on the raft, who take advantage of the region’s post-Cold War turmoil and a band of would-be political reformers. And the death toll mounts.

Will Wallander be able to follow the clues to the evil at the heart of the labyrinthine police headquarters? Will the perpetually love-lorn Wallander and Baiba Liepa be able to find solace for their losses? Most important, will either of them make it out alive? Fortunately, The Dogs of Riga is readily available in a number of languages to provide the answers.

Can’t get enough Scandinavian crime fiction? For more reading suggestions, see “A Cold Night’s Death: The Allure of Scandinavian Crime Fiction”, which includes a pronouncing the names of those notable authors.

(Next Friday, Adventure classics stays firmly planted in Scandinavia as it begins a May of historical fiction with Björn Kurtén’s Dance of the Tiger.)

Adventure classics – A cold triple whammy of murder

The Dogs of Riga

by Henning Mankell

…

I think even American crime writer Elmore Leonard would have made an exception to his advice never to open a book with a description of weather in the case of Scandinavian crime fiction. There’s a certain rightness to a story about cold-blooded murder in a cold country (and in the near wake of the Cold War) opening, as Henning Mankell’s The Dogs of Riga does, with “It started snowing. . . ”

The natural world – its weather, its landscape, its oceans and their currents -- are especially important in this story about a most unnatural act of murder. But don’t expect nature to be kindly in Mankell’s 1992 story (first published in English in 2001). This is the second of his police procedurals featuring Swedish police inspector Kurt Wallander (but oddly, the fourth to be translated into English).

Weather is only one more enemy for Wallander to contend with when his office in the coastal town of Ystad receives an anonymous tip that two dead men in a rubber life raft are drifting shoreward. He can only hope the call is a hoax as he goes off duty that evening, heading toward the gloomy home life de rigueur for protagonists of Nordic noir. Wallander’s consists of an estranged wife, an estranged adult daughter, and an estranged (naturally) elderly father who constantly berates him for becoming a police officer.

When he goes to bed, the thermometer reads -3 degrees Celsius. When he wakes the next morning, the life raft and its grim cargo have indeed washed ashore. The dead men are fairly young, well-dressed in foreign clothes. Each has been shot through the heart.

Their only possible identification: “Their dental work wasn’t done by Swedish dentists,” the police pathologist says. “Could have been by Russian ones, though. . . Or dentists from one of the Eastern bloc countries. They use quite different methods from us.”

And by the way, the men have also been tortured. And the raft they were on turns out to have been manufactured in Yugoslavia. Given all that, and that the currents of the Baltic Sea could have propelled a raft from any of several states of the former Soviet Union, Wallander is less surprised than annoyed when a Major Liepa from the police force in the Latvian capital of Riga pays a call.

(The illustration for this post, from a c. 1940 German atlas, indicates the proximity of the countries involved. The country labeled “Lettland” on the map is present-day Latvia.)

The men’s fingerprints, Liepa says, show them to be a pair already known to Latvian police as notorious criminals. The police in Sweden are only too happy to transfer jurisdiction of the case to him.

“(Liepa) was very short-sighted. His rimless spectacles seemed to be much too weak, and when he was reading he held documents only a couple of inches in front of his eyes. He seemed to sniff the paper, rather than scrutinizing it, and anyone watching found it hard not to laugh out loud.”

Despite his oddities, Wallander finds the “little hunch-backed Latvian major. . . an extremely shrewd and perceptive police officer.” He genuinely mourns when, after Liepa returns to his country, a telex arrives from the Riga police reporting that it is now Liepa who has been murdered the day after arriving home. Will the Swedish police be able to provide any assistance?

And Wallander’s real murder investigation begins.

(Next Friday, Adventure classics concludes an April of mysterious adventures with Henning Mankell’s The Dogs of Riga.)

Adventure classics – As American as Anita Ekberg?

The Laughing Policeman

by Maj Sjöwall & Per Wahlöö

…

When eight people are found dead on a bus one rainy Swedish November night in 1968’s The Laughing Policeman by husband and wife writing team of Maj Sjöwall and Per Wahlöö, Stockholm police are left with only two substantial clues to the assailant’s identity: the shell casings of the weapon used, and the statement of the massacre’s sole survivor. What more could police ask for? A investigation will reveal the type of weapon used. An eyewitness can identify, or at least describe, the shooter. After that, finding the killer should be easy, shouldn’t it? Or maybe not.

The weapon turns out to be a 1940's era submachine gun, one of thousands stolen from military depots, or even purloined by former servicemen. And the eyewitness only emerges from a coma seconds before dying, leaving behind a few baffling words. Baffling, that is, until the police can decipher the speaker’s accent.

Sjöwall and Wahlöö wrote alternating chapters of their series of mysteries featuring Stockholm detective Martin Beck and his co-workers. I like to think that Sjöwall, herself a translator, might have been responsible for the chapters dealing with the numerous regional and international accents described in the book. One detective is described as having such a broad provincial accent that a Middle Eastern immigrant he interviews doesn’t believe he’s actually Swedish. Others also are identifiable by their regional accents, which unfortunately disappear in translation.

Or perhaps, as British author/translator David Bellos discusses in Is That a Fish in Your Ear?, his book about the perils of translation, accents disappear because translators fear that use of nonstandard language will perceived as evidence of ignorance.

At any rate, the (briefly) surviving eyewitness’s statement remains incomprehensible, the more so because he is an American immigrant, a native English speaker with, yes, a formidable accent.

A tape of the all too brief interview reads:

Who did the shooting?

Dnrk.

What did he look like?

Koleson.

If any non-Swedish speakers intend to write a Swedish mystery with a character named “Koleson,” stop now. According to Sjöwall and Wahlöö’s detectives, there’s no such name. And what, in any language, does dnrk mean?

Not until the survivor’s fellow employees are questioned does the answer emerge.

“…he was born in America,” (the detective says). “Was it noticeable when he talked?”

“Was it! He had an accent just like Anita Ekberg’s. And when he was drunk he spoke English.”

“When he was drunk?”

“Yes. And when he lost his temper. Or forgot himself.”

Or, the detective realizes, when he was dying, piecing together the survivor’s first answer as the English words, “didn’t recognize him.” And the second as an attempt to describe the assailant as “like Olsson,” the survivor’s work supervisor. (Author and translator at this point helpfully distinguish between the Swedish pronunciation and the survivor’s Americanized “Oleson.”) When the supervisor is found to bear a striking resemblance to a suspect in an old and cold murder case, Beck and company are nearing the end of their trail.

All of which leaves me to wonder, after the crime is solved, how Anita Ekberg, mid-twentieth century Swedish blonde bombshell and starlet of a string of American and Italian movies, managed to acquire an American accent in Swedish.

(Next Friday, Adventure classics continues an April of mysterious adventures with another masterpiece of Scandinavian crime fiction, Henning Mankell’s The Dogs of Riga.)