Showing posts with label paranormal fiction. Show all posts
Showing posts with label paranormal fiction. Show all posts

Monday, October 12, 2020

Women of mystery – beyond the cozies!

My last post about cozy mysteries was an ode to books written by – and often featuring – women. But not all women mystery writers pen cozies. And even that queen of crime, Agatha Christie, often like to try their hand at other genres of the puzzling type. With that in mind, as I refresh my acquaintance with Christie’s oeuvre, I dug into some of her lesser-known works, as well as found traces of her influence even on writers of other schools.

 

I’d read some of Canadian author Louise Penny’s enjoyable mysteries without immediately connecting them to Christie. But when I found Penny’s double-village style book, Bury Your Dead, with its modern take on a locked room murder, I could resist pairing reviews of both women’s works, starting with:

 

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A tale of two villages, or the body in the library (basement)

 

Review of: Bury Your Dead

Author: Louise Penny

Publisher: Minotaur Books

Rating: 4 stars

 

All Chief Inspector Armand Gamache wants in Louise Penny’s 2010 Bury Your Dead is a place to heal physically and emotionally from an operation gone terribly wrong. And where could anyone expect to find more peace and quiet than in an obscure historical library within the walls of the old city of Quebec? Except that this library’s basement holds a murdered body whose discovery threatens to ignite a new round of antagonism between the city’s English-speaking minority and its francophone separatist elements. To top off Gamache’s troubles, harassing letters from Penny’s fictional village of Three Pines lead Gamache to reinvestigate a murder once believed to be closed.

 

Not content with three mysteries – Gamache continually replays the disastrous operation in his head – Penny adds a fourth: the mystery of the lost burial place of Canadian founding father, Samuel de Champlain, whose quest apparently lured the library victim to his doom.

 

Although it would be out of place to peg Penny as a writer of cozy mysteries – most of her books are, to some extent, police procedurals of the Quebec provincial law enforcement agency, the Sûreté du Québec, where Gamache heads the homicide division.

 

Image: Tom Staziker from Pixabay
Still, she often adds her Three Pines setting, a village not shown on any map, and as idyllic as anything Agatha Christie could envision. And as deadly a spot of petty jealousies turned murderous as any Christie’s sleuth Miss Marple reckoned with.

 

Despite the mayhem, Penny’s depictions of both the fictional setting and the village-like insularity of Quebec’s old city, will make readers long to go there. Or as least to Quebec, whose descriptions at the height of the winter carnival season are as enticingly lovely as a life-sized snow globe.

 

Penny’s ability to juggle all these elements is breathtaking. Until the balls start to fall, in endings whose twists some readers will relish and others – not so much. But read on, not forgetting the thrilling action scene near the novel’s end. Pull on your snow boots, marvel at the history, and snuggle in for a diverting read. Wine optional! 

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And just to show that Agatha Christie’s interest in mayhem wasn’t always satisfied with the productions of “the little grey cells,” here’s a selection of her tales of the paranormal as:

 

Queen of crime, empress of eeriness

 

Review of: The Last Séance: Tales of the Supernatural

Author: Agatha Christie

Publisher: William Morrow

Rating: 4 stars

 

The quality of the 20 short stories in this volume is considerably mixed, not surprisingly, considering they were published over a period of more than 40 years. But when they’re good, they’re very good. The title story, “The Last Séance,” is the collection’s gem, in spite of, or perhaps because of its telegraphed ending, which will have readers, like watchers of a horror flick, shouting to the characters, “Don’t go there!”

 

The volume is also notable for the breadth of range. Conventional ghosts are few, but Christie’s writing ranges over mediumistic methodology, prognostication, reincarnation, and religious cults and fanaticism – as in the earliest, 1922’s “The Wife of the Kenite,” billed as a story never before published in the United States, but whose obscure biblical references may puzzle modern readers.

 

Her star detectives, Hercule Poirot and Miss Jane Marple, even take a few turns. Some tales yield their secrets to investigative skills, others remain “Twilight Zone” bafflers, including one of the last – and best – “The Dressmaker’s Doll.”

 

Christie would employ supernatural aspects in a number of her novels as well as her series of short stories featuring the mysterious Mr. Harley Quin, whose exploits I was surprised not to find in The Last Séance volume. Still, its eerie tales are enough to give readers a Halloween shiver.

Tuesday, October 20, 2015

Wordcraft – Jaye Wells’ 10 things to know about revision

Anybody else out there getting emails about NaNoWriMo? (For the benefit of newcomers to this blog, that’s short for National Novel Writing Month, the now international event each November during which legions attempt to pound out at least 50,000 words of a novel.) Me? I’m just trying to finish up my last year’s NaNaWriMo manuscript, with the 10 steps of manuscript revision used by prolific author Jaye Wells.

Wells was the writing workshop instructor at this year’s FenCon science fiction/fantasy convention in Irving, Texas. She’s the author of the Prospero’s World paranormal series, the Sabine Kane series, and (writing as Kate Eden) the Murdoch Vampire series, as well as novellas and short stories. And by the way, she’s also completing her master’s degree in creative writing. The woman knows revision as only the writer of more than a dozen full-length manuscripts can. What follows is the stripped down version of her revision list. See her site for much, much more.

1. Let it gel. After writing a first draft, let your story rest awhile. A couple of days is good, a couple of months is better. Then read like a reader, looking for the big picture only.

2. Have a plan. For Wells, this step means going through the manuscript chapter by chapter, making notes on what needs to be added, deleted, rewritten, or moved to new locations.

3. Time for the bloody pen. This is the point at which Wells frees her inner editor, the one with the cruel red pen, to do her worst. This read-through of the manuscript should leave it covered in red marks.

4. Fresh eyes, please. Find readers who are tough but fair and open yourself to constructive criticism that can make your story even stronger.

5. Every chapter, every scene, every sentence. At this point, nothing in your story’s complex system of moving parts goes unanalyzed to be sure everything works together.

6. Sing it, sister. After you’ve done the heavy lifting of revision, read the result out loud. (I’m always amazed at the stuff that pops out when I hear it spoken instead of just seeing it on the page.)

7. Deeper and richer. Layer in the details that deepen characterization and expand the world of your story. (For more on world building, see “Jaye Wells on building a world all your own,” October 6, 2015, at this site.)

8. Get thematic. Readers don’t want to be hit over the head with meaning, but there are ways to subtly infuse themes. Wells suggests making a list of words that echo the story’s mood and thematic symbols and weaving them into your sentences. For more on this, uh, theme, she likes the writings of Alexandra Sokoloff.

9. Don’t panic!!!! One minute we writers are convinced we’re geniuses. The next we decided we’re such doofuses, that, as Wells says, “You might daydream about getting into an accident so you don’t have to finish the book.” Be patient with yourself. Enjoy the crazy carnival ride that is your book.

10. Enough can be enough. “At some point,” Wells says, “you’re going to realize you’ve just spent four hours deleting and reinserting the same comma. This is a signal, friend. It’s time to let go.” Don’t be the writer who wastes “years of revision as an excuse not to start something new.”

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And speaking of something new, consider catching tonight’s free NaNoWriMo webinar on developing diverse characters and worlds for your story. Although some emails I’ve received say Wednesday, October 20, or refer to Pacific Standard Time, that’s just wrong. It goes live at 5 PM Pacific Daylight Time, Tuesday, October 20, or see the list for your time zone at http://nanowrimo.org/nano-prep/. For those, for instance in Ankara who don’t want to rise at 3 AM local time Wednesday, the Spreecast will remain online, although without live feed.

Monday, March 17, 2014

Wordcraft -- The dark, the deadly & the dead

It was an interesting weekend of panels from genre authors and publisher, sponsored jointly by the Barnes & Noble bookstore at The Parks Mall in Arlington, Texas, and the Rising Phoenix Press small publishing house. In one morning, the audience of writers learned how to kill people from retired chemical engineer and forensics consultant David Ciambrone; how to add realistically ghostly characters to our pages, from North Texas paranormal investigator Brandy Herr; and find publishing outlets for these dark imaginations from C.L. Stegall, JoAnna Grace and Jonathon Black of independent Dark Red Press.

The afternoon lineup included panels on romance writing, Westerns and general fiction from nearly a dozen additional Texas authors.

For mystery writers itching for ways to kill victims quickly, easily and cheaply, Ciambrone gave a lesson on the deadliness of common plants and household chemicals. Many of these, he stressed, don't require access to anything more exotic than a grocery store, plant nursery, or pet store--or even our own kitchens and back yards.  Dr. Ciambrone’s Poisons Handbook for Writers stresses that the information is intended only for use in writing fiction. Don’t try these at home!

For those of us who prefer our fictional characters already dead, Herr’s Haunted Granbury details the surprising number of paranormal events haunting a small North Texas town, and the major ways in which haunting can occur. Poltergeists and other “intelligent” haunting involve entities who are able to interact with observers--in some cases, seem actually to enjoy such interactions. "Residual" hauntings, on the other hand, are simply reenactments of a scene, whose participants are not able to interact with the living. Her book is part of the Haunted America series from The History Press,
http://historypress.net/.

And whether we’re dealing with the dead or the merely deadly, C.L. Stegall, JoAnna Grace, and Jonathon Black of independent publisher Dark Red Press offered suggestions for turning these dark secrets into stories in a variety of thrillers.

Stegall’s definition of dark fiction is anything that keeps “the thrills and the chills coming. After the first sentence--not the first paragraph, but the first sentence, the reader can’t put it down.”

How to write like that? The specific methods vary from the loglines and detailed index cards of Black, who writes paranormal suspense and romance under the name John J. Smith to the seat of the pants method of confessed “binge-writer” Grace (“I have to say, index cards put me in the fetal position”).

“If anyone tells you there’s a formula for writing a book, you can tell them they’re a liar,” Stegall said. But no matter what the method, the first thing is writing the story.

“It’s not a matter of finding time to write,” Grace said. “It’s a matter of making time, (even) if that means the laundry doesn’t get done for a few days.”

For more about Dark Red Press, its authors, books and events, see
www.darkredpress.com/.

And for more about Rising Phoenix Press and its author events, see www.prlog.org/.

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Want to learn more about publishing? The 2014 SMU LitFest opens tomorrow, March 18, at 4:30 p.m. with a free panel discussion by representatives of local small publishers Matthew Limpede of Carve magazine, Joe Milazzo of the journals (out of nothing) and Black Clock, Will Evans of Deep Vellum Press, and Ronald Moore of Baskerville Publishers. The panel meets in the DeGolyer Library on the SMU campus.
 
 
The SMU LitFest continues through Saturday, March 22, in various locations on campus. For a complete schedule of events, authors, and a map of the campus, see
http://smulitfest2014.wordpress.com/.