Review of: Seven Skeletons: The Evolution of the World’s Most Famous Human Fossils
Author: Lydia Pyne
What does it take to turn a handful of anonymous bones into a personality? And not just any personality, but a celebrity with a worldwide following and century-long notoriety? A great discovery story helps. So does a catchy nickname. Add being in the right place at the right time, stir in a whole lot of luck, and those bones may rock the world, as science historian Lydia Pyne explains in Seven Skeletons, an examination of the after-lives of famous (and sometimes infamous) fossils that have changed our thinking about the course of human evolution.
The story opens with a jaw-dropping (literally) introduction to the Taung Child, who (or rather, whose skull) Pyne met on a winter morning in a human paleontology classroom in South Africa.
“(The professor) had pulled out several well-known fossil specimens from the university’s fossil vault,” Pyne writes, “setting them on flat wooden trays atop red velvet, showing them off like rare gems awaiting our appraisal as we filed into the room to take our seats. As students, we all had seen casts of these fossils before, but these were The Real Thing.”
Then, to the students’ amazement, the professor, one who had long been the Taung Child’s advocate in the face of paleontological skeptics of the 1920’s, “moved the little mandible up and down, clicking the fossil’s tiny front teeth together, and launched into a well-rehearsed comedy act of sorts that had the Taung Child telling a few jokes, commenting on the weather, and offering some insights about the early days of paleoanthropology. . . ” to its audience.
It was as if the bones of a hominin child, dead for millions of years, had a life of their own. As in a way, they did.
And they had a story to tell, as do the other bones in Pyne’s celebrity fossil ensemble – the Old Man of La Chapelle, representing the Neanderthals; Australopithecus Lucy, the show’s acknowledged diva; “hobbit” hominin Flo; the mysteriously absent Peking Man; and ingénue newcomer Sediba, also from South Africa, discovered in almost Hollywood style by a young boy and his dog.
The story even has a villain, the piece of fakery known as Piltdown Man, whose finding in the early 20th century initially upstaged the Taung Child. Although no less a figure than Charles Darwin had suggested Africa as the original home of humanity, European chauvinism rejected the possibility of ancestors from the dark continent. By the end of the 19th century, France and Germany could lay claim to a near-missing link between apes and humans in the form of Neanderthals. But Great Britain longed for a missing link of its own – an “earliest Englishman,” as newspapers would proclaim.
Paleologists expected a large brain to be the first indication of pre-human origins. The discovery of an apparently big-brained near-human fossil in an English gravel pit in 1912 fit expectations as if made to order. As in fact, it was.
|Piltdown image: wikipedia|
How could the Taung Child, a “moppet” of a bipedal but small-brained hominin discovered in South Africa in 1924, compete? Not until scientific work in the 1950’s revealed Piltdown to be a hoax did the Child take its proper place in prehistory as a human ancestor on a par with Lucy and her like.
(One of the illustrations of this post is a 1915 painting of Piltdown's finder and proponents. On the wall behind them, a portrait of Charles Darwin looks on, perhaps in horror.)
“The story of the Taung Child is practically apocryphal in paleoanthropology,” Pyne writes. “These stories function as part of the science’s own identify and values (‘good science wins out over detractors’), but the stories also serve to create a heroic persona around (the discoverer) and the fossil itself. . . Just as sagas and epic journeys are ways for audiences to become invested in the hero’s quest, the journey of the Taung Child was embraced into a cultural narrative.”
As significant as the fossils’ stories is the trend begun by the Taung Child’s discoverer, Dr. Raymond Dart, of making fossils and knowledge about them, more accessible. The change only accelerates as the newest South African fossils, including Sediba, are made available through new methodologies such as 3-D scanning and printing, as well as timely publication of results and more open access to the fossils themselves. It’s becoming a whole new way of doing science.