Strange though it may seem, it wasn’t his fantasy characters such as Conan the Cimmerian (aka Barbarian) or King Kull who Texas writer Robert E. Howard expected to make his reputation. It was his Westerns. He was adept at mixing Westerns with his other story genres – fantasy, horror, even his comic boxing tales. Still, I did a double take when Steve Corcoran, the antihero of today’s story proved to be a physical twin to Conan, “tall, broad-shouldered, deep-chested, lean-hipped … (whose) unruly black hair matched a face burned dark by the sun, but his eyes were a burning blue.”
Corcoran matches not only Howard's usual physical descriptions of Conan but his psyche as well, "too direct by nature, or too proud of (his) skill to resort to trickery when it was possible to meet enemies in the open. . . "
(It's also interesting to note the similarity between Corcoran's name and that of the two-fisted sailor Steve Costigan, hero of sone of the fight stories for which Howard was famous during his life.)
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The Vultures of Whapeton
by Robert E. Howard
As the story opens, Corcoran is peacefully minding his own business – at least in as peaceful a way as he can manage, considering that he’s just shot another gunfighter – when John Middleton, sheriff of the embattled mining town of Whapeton Gulch, happens upon him. Strangely, Middleton is not in the least nonplussed to find Corcoran’s opponent, who he had hired as a deputy to help tame the lawless elements of his town, lying shot through the heart, and promptly offers the deceased employee’s job to his killer. Not that either Corcoran or the sheriff has any illusions about the character of the dead man, whose Colt’s stock is nicked with the record of those he had killed.
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| Image: wikimedia commons |
He manages however, to gain the friendship of some of Whapeton’s citizens,
including golden-haired Glory Bland, when he prevents her from braining one of
her fellow bar girls in a saloon brawl that has left Glory’s dress suggestively
torn and her bosom suggestively heaving. No matter what the other woman’s
offenses, Corcoran tells Glory, “(t)hat wasn’t no excuse for makin’ a public
show of yourself. . . If ladies have got to fight, they ought to do it in
private.”

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