Showing posts with label romance writing. Show all posts
Showing posts with label romance writing. Show all posts

Saturday, September 5, 2020

A whirlwind windup for 2020 writing conferences

 As disturbing as the writing conference scene may seem for 2020, I’ve found myself attending more conferences than I ever dreamed of – as long as they’re virtual. High ticket prices? Hotel and travel expenses? Plenteous supplies of face masks? I can laugh at such problems from the security of my own home screen. So far this year, I’ve been to the North Texas area WORDfest (virtually, speaking); the Writers League of Texas conference, and Thrillerfest. And already signed up for Bouchercon and World Fantasy Convention. And maybe a few others from the following list – many courtesy of Erica Verrillo’s Publishing and Other Forms of Insanity -- check Verrillo’s blog for a complete list and updates.)

 

September 21-27: Imaginarium, with emphasis on creative writing in books, movies, gaming, music, and comics/graphic novels. Registration: $125.

 

September 24-27: The PNWA Conference, sponsored by the Pacific Northwest Writers association, with seminars, and attending agents and editors. Registration: for nonmembers $475 for full conference or see the site for single-day options.

 

October 2-4, 16-18: The Pacific Coast Children’s Novel Workshop & Retreat , features editor or agent feedback on selected whole-novel manuscripts. Basic fee for each of two workshops: $110. Critique fees: $2.50 per page (from 15 pages to full novel).

 

Image by Peter Fischer from Pixabay

October 9-11: James River Writing Conference features pitch sessions with agents and panel discussions for poets, fiction writers, and creative nonfiction writers in a variety of genres. It also offers pre-conference master classes October 9. Conference cost, which includes a virtual one-on-one meeting with an agent is $295. Single-day tickets start at $145. Master class is an additional $65.

 

October 16-17: Bouchercon, the annual convention of the mystery and crime fiction community. Cost: $55. Since it’s virtual, there will be no refunds until the virtual event itself is cancelled. I haven’t seen a schedule yet but am hoping for access to interviews with guests of honor, who include Scott Turow, Walter Mosley, Anne Perry, and Anthony Horowitz, as well as access to mystery panels.

 

October 16-18: Mayborn Literary Nonfiction Conference, is normally held each summer in the North Texas city of Grapevine, and is another of those wow, I wish I could attend events that’s usually out of my price range. This the Mayborn is virtual, and at only $99, may make my must-see list. With a focus on journalism and nonfiction writing, this year’s keynote speakers are Sarah Broom, Major Garret, and Gene Weingarten. Deadline for submitting to the Ten Spurs writing contest and the manuscript competition has been extended to September 15.

 

October 16-18: Emerald City Writers’ Conference, is sponsored by the Bellevue, Washington -area RWA, and features film and television scouts taking pitches along with agents and editors. Cost: $125.

 

October 29-November 1: World Fantasy Convention has long been on my wish list but I had trouble justifying the travel expenses. Now I can be there for $125. Information is still skimpy, but presumably will include access to interviews with guest, who include David Cherry, Stephen Gallagher, Anne Groel, Cindy Pon, C.J. Cherryh, and more.

 

November 5-7: Writer’s Digest Annual Conference, also now virtual. Registration now-November 5: $349. Two pre-conference workshops are available as add-ons for $149 each or as standalones for $199. Keynote speakers are Chuck Wendig, Maaza Mengiste, and Viet Thanh Nguyen more than two dozen OMG-amazing other speakers.

 

November 9-15: Breakout Novel Intensive 2.0, agent Donald Maass’s killer seminar will be held online, with new or revised units on strong voice, compelling story works, beautiful writing and more. This one will cost you – new student registration is $1,095. Normally limited to 40 students, but I’m not sure how that will play out in a virtual setting – obviously, meals and lodging won’t be included. See the site for details.

 

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What’s missing? For the most part, agents and the chance to pitch to them. Although I’m amazed that some conferences are offering virtual agent pitches – why not do those regularly, whether the conference is virtual or in-person? Also, missing is one of my North Texas homeground’s favorite events, Writers in the Field , although previously-purchased tickets can be carried over to the 2021 event. Or see the site for refunds or donations.

 

In the meantime, keep writing, and most of all, stay safe! 


Oops -- I nearly forgot the Kathryn McClatchy Flash Fiction Contest, sponsored by the Writers Guild of Texas is open now through October 27. Cost of first entry: $35 for nonmembers (includes WGT membership, free for members. Additional entries are $15 for both members and nonmembers, to a maximum of three entries. Cash prizes. See the site for complete details.  

Monday, November 18, 2013

Wordcraft -- Romance with the strangest beings

Dear Romance Writer -- I can’t figure my boyfriend out. One minute, he’s normal, the next he’s grown fangs that would give an orthodontist nightmares. And even though I have visions about him (literally), I can’t tell whether the scene where he mistakes an obnoxious relative for a turkey is about the coming Thanksgiving dinner or from a past life. Is it safe to bring him home to meet my family? Signed, Desperate in Dallas

With apologies to paranormal romance authors, Vicki Lewis Thompson, Jaye Wells, and Shannon K. Butcher, Desperate in Dallas’s letter is a sample of world they write about. It’s a twenty-first century world, but one where heroine and hero face more challenges than Jane Austen ever dreamed of on their way to finding happiness together. But although the heroine’s family may be witches and the hero’s beasts, love still wins if lovers can keep their wits as sharp as their fangs.

It’s a subgenre dominated by the world of the internet and e-books, and a panel discussion of “All Things Paranormal” drew a standing room only crowd at the Readers & ’ritas conference in Allen, Texas this month.

What draws writers and their readers to this genre of romance and the supernatural?

“It’s so engrossing,” Butcher said. (Yes, she is married to paranormal fantasy author Jim Butcher). “You live in this other world, keeping true to the laws of physics you set up. I‘ll reverse engineer a world to evoke a particular emotional response, to forge an emotional landscape.” (And for more about her and the world of her stories, see
http://shannonkbutcher.com/.)

Wells agreed. “World building is the organic, play part for me. I find it hard not to write paranormal. When you’re writing paranormal, if things slow down, you can always throw in a demon.”

“What I do when it’s getting boring is throw in some sex,” Thompson said, drawing a hearty response from the audience. She admits to being the most light-hearted of the group. “Since I like humor, I’m going to have humorous stuff in the world.” In addition to more traditional romance series, the latest in her “Wild About You” series, Werewolf in Las Vegas, is due out next spring, according to her site,
www.vickilewisthompson.com/.

Wells asserts that the devil beams her wittiest lines to her through her dental fillings, and otherwise indulges her hand at humor under the pen name Kate Eden. Her (Wells’, not Eden’s) next book is the first of an upcoming series, Prospero’s War, is about a female cop out to clean up the traffic in illegal and addictive dirty magic. For more updates and to read sample chapters of this and other Wells’ series, see
http://jayewells.com

Butcher’s upcoming Willing Sacrifice, due March 2014, opens with a vision heroine Rory Rainey declares can’t be expunged from her mind with all the brain bleach in the world.

Given that they’re writing about sex, magic, the supernatural, and decidedly un-normal characters, have they ever written anything bizarre enough for their editors to delete?

“I try things,” Wells said, “thinking my editor’s not going to let me get away with it, but she never does. The only thing she insists on is that it needs to drive the story action.”

“I’ve never had an editor call me (on writing),” Thompson said, “but my daughter is my beta reader and she’s called me!”

And for those wanting to learn more about writing romances (the biggest-selling book genre in the U.S.), see the Romance Writers of America website, at
www.rwa.org/.