Showing posts with label Abandoned Towers. Show all posts
Showing posts with label Abandoned Towers. Show all posts

Friday, November 10, 2017

In search of lost friends – a story of barbarous adventure

As I promised a couple of months ago, I will occasionally share some of my older shorter stories. “The Gates of Shaizar” is an adventure story first published in 2010 in Pulp Empire, vol. 2, which is now out of print. It was republished in 2012 at the ezine Abandoned Towers, which has also now disappeared. I recently found two copies of Pulp Empire, vol. 2, on Amazon for $56 each, but you can read a story from that volume here, for free!

Oh, a few last words before the story: Shaizar is (or was) a real place, an ancient Syrian town that became a fortress in the medieval period before being abandoned after repeated devastation by earthquakes. The illustration for this post is taken from a photograph of the ruins which serves as a frontispiece to Philip K. Hitti's 1929 translation of a memoir of the medieval period.

Shaizar in ruins
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THE GATES OF SHAIZAR

When the order to halt came, al-Mastoub reined in his bay before the guards at the eastern gate of Shaizar. Behind him, the queue of merchants with ox carts and camels, the woodcutters leading laden donkeys; the governor’s concubines in curtained palanquins; the flocks of bleating sheep and goats; the slaves, pilgrims, and riff-raff of the province backed up outside the iron-studded eastern gate of the city.

The gaze of the guards’ lieutenant traveled over al-Mastoub’s cast-off clothing, the tall warhorse, the sword, pulled although the lieutenant couldn’t know, from the Varangian Leofric’s stiffening hand. A good horse and weapons, but only a leather cap and quilted jerkin for armor. Al-Mastoub could see the lieutenant’s suspicions reflected on the man’s face.

“Sir,” al-Mastoub said, “I have a passport from the magistrate Haroun ibn Ibrahim of al-Shara.” He held the now-tattered safe conduct he’d forged before his chest, like a shield. And he prayed silently, as he had at every checkpoint, that the man wouldn’t know Haroun’s signature.

The lieutenant ran a hand over his beard. The document’s elaborate calligraphy, al-Mastoub knew, was almost indecipherable. He’d added every flourish possible to dissuade anyone he encountered from giving more than a cursory glance at his credentials. But as a corner of al-Mastoub’s mouth twitched, the lieutenant’s hand clamped on the passport.

“No one enters until I’ve examined this man’s papers. Thoroughly.”

The guards stationed themselves before the crowd shoving to enter the opened gate. The sun rose high over the town’s walls in the late summer sky. The crowd behind al-Mastoub grew more clamorous as the lieutenant read the passport, muttering each word aloud.

Al-Mastoub loosened the fidgeting bay’s reins. He fumbled for the pouch under his shirt that held his small horde of treasure -– the papers of his manumission, Leofric’s medusa-headed ring, the last handful of stolen dinars.

The lieutenant’s eye caught the movement. “You!  Keep your hands in sight.”

“It’s a hot day, sir. Perhaps you’d like something to slake your thirst?”

“In sight!”

Al-Mastoub shrugged. If the passport failed, at least he had the sword. He wished he had Haroun’s practical scimitar. Leofric’s sword was almost too long for him to wield one-handed. But he hadn’t dared steal another weapon. Roaming through Syria with a forged passport was enough to get him beheaded without having Haroun on his trail.

Itinerant jugglers, beggars, and pickpockets plied their trades among the crowd. Sellers of wine, fruit juice and sweetmeats counted themselves blessed.

“I’ve got eight for the head,” a singsong voice chanted just beyond the gates. “Do I hear any more?”

“Put me in for the head.” One of the guards pulled a copper dirham out of his sash.

“A small bet at short odds,” the bookmaker sneered. “You might do better to wager on nose and ears.”

“I’m for nose and ears,” another man shouted.

“Aren’t you going to give odds which gate he hangs at?” A man with eyebrows that met across his forehead pushed as close as the troopers would allow. Al-Mastoub cursed him under his breath.

“It would just be taking your money,” the bookmaker said. “Whatever part of him the lieutenant decides to hack off will hang here on the front gate for all to see.”

“I want to place a bet,” al-Mastoub said.

The bookmaker stared. “Show me your money.”

Again, al-Mastoub eased a hand under his shirt.

“In plain view!” the lieutenant said.

Al-Mastoub withdrew his hand.

“No money, no bet,” the bookmaker said.

“Silence!” The lieutenant looked up at last. “This mentions two companions,” he said.

“They were taken prisoner.” Al-Mastoub shifted his damp hands from the saddlebow. “I’m here to ransom them.”

The lieutenant flung the passport at him in disgust. “Then do so. And leave quickly.”

Al-Mastoub joined the travelers surging toward the marketplace. He scanned the merchandise.  At the point in the line where Jehan and Robert had been chained, there now stood only a gawky girl with big feet. There was no sign of either of the captured soldiers. No Jehan, no Robert.

The old slave trader, Abu al-Darda, hailed him, walking around al-Mastoub’s tall bay. “Ain’t you come up in the world since the last time we met? If I knew you was this good a horse thief, I’d have charged that judge more for you.”

“I had two friends in this caravan.  I’m able to redeem them now. Or if you remember where you sold them. . .” Al-Mastoub pulled a gold piece out of his pouch and flipped it.

Abu al-Darda moved closer. Al-Mastoub folded his fist around the coin.

Monday, April 30, 2012

Wordcraft -- The contest issue

Since Kristen Lamb, author of We Are Not Alone, gave me a lesson in blogging last year, I’ve tried to figure out what you, my reader, wants from this site. You’ve taught me, partly through comments, but most of all through the posts you look at, that you want to know 1) how to improve your writing, 2) how to network with other writers, and 3) how to market your work. So raise a glass -- or a pen -- to yourselves for prompting this post on contests. (You can see Kristen’s blog at http://warriorwriters.wordpress.com/ ).

A writing friend, understandably, recently questioned the point of fees for writing contests. So before you dive in, read “The Economics of Competition: A Look at Contest Budgets,” in the current issue of Poets & Writers magazine (www.pw.org/ ). And consider what the fees you pay to enter contests actually accomplish.

I feel comfortable listing contests vetted either by P&W’s staff, or that I’ve entered personally, but I’m including some others I’ve gleaned from various sources. They’re focused on fiction writing, since that’s my specialty. As always, read the fine print.

The May/June 2012 issue of Poets & Writers lists dozens of upcoming deadlines, mostly for literary fiction and poetry. Read carefully -- all have specific requirements. Also take a look at the lists of craft-building and resume-building residency programs and workshops.

P&W listed Writer’s Digest’s annual writing competition in its listing. But although the early bird deadline for this contest is May 1, the absolute deadline isn’t until May 15 for a variety of genre writing. See
www.writersdigest.com/competitions for information. Check out the magazine’s current issue to see what judges have liked in the past.

You know I love Duotrope Digest’s listings (www.duotrope.com/ ). But although it’s added fee-paid sites, its search engine doesn’t differentiate between contests and regular submissions. So check out www.ralan.com/. This science fiction/fantasy/horror (aka speculative fiction) site lists contests, even by literary publications, if they also accept its genres.

Speaking of genre fiction, take a look at the Abandoned Towers 2012 Writing Contest. The newly restarted site, like many ezines, asks for donations to support its projects. It accepts any genre of short fiction or poetry for consideration, provided the concept of “abandoned towers” is incorporated. See http//abandonedtowers.com/contest/ for specifics.

Feminist writers (not necessarily female) will want to check out www.mzbworks.com/ for specifics on the Sword and Sorceresses anthology based on the work on Marion Zimmer Bradley. Free -- but deadline is May 12, 2012.

And if you plan to attend any writing conference, check its site to see if it offers low-cost contest add-ons, such as those for the Writers League of Texas, www.writersleague.org/, and FenCon (www.fencon.org/).

(Beginning today, April 30, “Wordcraft” moves to Mondays. “Adventure classics” moves to Wednesdays on May 2, for a quick, fun read to get you over the work week hump. “Totally Texas” moves to Fridays on May 4, to help you plan your weekend.)

Monday, February 13, 2012

Totally Texas -- Sci fi, oh my, at ConDFW XI




ConDFW XI
Crowne Plaza Suites, Dallas-Park Central
7800 Alpha Road

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So you exercised your will power (see "Perserverance, iron will & Wodehouse," January 11) and cleaned out your bookshelves. And now books are stacked knee-deep all over your living room, but you’re looking at the vacant shelves and thinking -- I need more books!

If you’re also a science fiction fan, get to the book swap at this weekend’s ConDFW. Swap or buy -- proceeds benefit the charities DonorsChoose (
www.DonorsChoose.org/) and Half Price Books: Half Pint Library.

The con’s at the Crowne Plaza Suits on Alpha Road in Dallas this Friday through Sunday, February 17-19. In honor of the glitch in the Mayan calendar some believe predicts the end of the world in 2012, there will be parties! See www.condfw.org/ for details.

While waiting for the apocalypse, you can meet writing guest of honor Cherie Priest, whose steampunk novel Boneshaker won the Locus Award for Best Science Fiction Novel; artist guest of honor William Stout, whose work inspired Jurassic Park; and several Texas authors including A. Lee Martinez, who clowned for the picture with this post at a previous convention. (Martinez’s books include horror, science fiction and fantasy with an underlying theme of humor.)

It’s a literary con, so there will also be readings, panel discussions and workshops on a variety of subjects (making leather masks, anyone?), gaming, and book and art sales. Stay late Saturday night for the costume parade. The first time I went to the Con, the costume highlight was the belly-dancing Redheads of the Apocalypse. The last time I saw the Redheads, they had turned from dancing to writing, but I still expect this year’s parade may move this family-friendly event into the PG-13 category.

Walk-in memberships for walk-ins are available at the door, single day or all three, adults and children. If you’re an adult student, bring your ID or a copy for a discount.

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Abandoned Towers promised to run my story “The Gates of Shaizar” -- one of these days. In the meantime, the print/online magazine is offering a writing contest to celebrate its relaunch. The concept of “abandoned towers” must appear in the short story, poem or flash fiction writers submit. See http://abandonedtowers.com/.

Wednesday, December 21, 2011

Wordcraft -- Resolution 3: Get out there!

Okay, you’ve written a story. Maybe several stories. And you think you’re ready to publish. Well, here’s my experience. I tried writing a novel (actually, a few novels), sent them to agents and got -- nothing. In those pre-online days, it seemed as if literary agents could have made a living from re-selling the stamps off my SASE’s.

So when a friend from a university novel writing course confessed she’s writing short stories now and asked whether I’d heard of Glimmer Train, I told her what I’m telling you. I have heard of the big contests; I’ve entered them; and I’m not trying to discourage anyone from going out for them.

But big publications and big contests receive many more stories than they can handle. Most entries get a form rejection at best or nothing at. In the meantime, smaller publications, less prestigious sites, and sites that don’t pay as much may be eager for your stories, or at least willing to provide valuable feedback.

Finding them isn’t as hard as you may think. By following resolution #1, you know what kinds of stories you write, that is, what genres you do best. Your writing group from resolution #2 has helped you work through a lot of basic craft issues. But ultimately, the only person who can tell whether your stories are publishable is a publisher.

A lot of you link to Duotrope’s Digest. Good for you. Duotrope can also search for the most accessible sites in given genres. I ran such a search, then researched the results again, looking for sites with credibility, the ones I’d be proud to have my work seen at.

I found The Lorelei Signal. It looked good. It showcased stories I respected. And its guiding light, Carol Hightshoe, published my first story, “Gift Cards of an Ex-Goddess.” It’s still one of my favorite publications.  The next reading period begins January 15, at
http://www.loreleisignal.com/

Other small publishers have printed my stories, or even when they haven’t, they’ve made comments that enabled me to sell stories elsewhere. Stories such as “Shaman,” (rejected by Heroic Fantasy Quarterly but published by Short-story.me) ; or “The Gates of Shaizar,” (rejected for a Ricasso Press anthology but since accepted by both Pulp Empire and Abandoned Towers).

Just don’t aim too low. Sites that will accept everything don’t give you credibility. And sites you’re embarrassed to be seen at -- not worth it.

(Next Wednesday -- Resolution number 4: pay back by paying forward.)